'Dream Demon' (1988) Harley Cokeliss.

It might be strongly argued that one of the more unique British Genre films produced in horror's heady 1980s heyday was imaginative writer/director Harley Cokeliss's demonically eccentric, visually inventive, playfully outlandish, generously practical Fx-laden, deliciously unpredictable 'Dream Demon' that proved to be a Big Box VHS knockout horror-hit upon its initial release, but, sadly, the grisly, gut-churning shocker slipped into relative obscurity, and the luminous, considerably more than welcome Arrow Video 2K restoration highlighting many of the nightmare-inducing film's eye-poppingly audacious, brain-fizzingly bonkers set-pieces, pleasingly exposing a wickedly warped wealth of devilish detail once lost in the frightful fug of fuzzy analogue video. Prim, beautiful, and upwardly docile Diana (Jemma Redgrave) is a sheltered, privileged, overly timorous young debutante anxiously awaiting her imminent marriage to no less picture perfect war hero partner Oliver (Mark Greenstreet) who, perhaps, hides a nefarious secret to rival that of the delightfully ominous abode Diana has been given by her wealthy socialite parents. The wonderfully torrid text by talented Hammer alumnus Christopher Wicking & Harley Cokeliss is a zesty, neo-Gothic delight, boldly eschewing most of the misogynistic stalk and slash tropes for a richly maniacal mine of mentally tormented maleficence! The giddy grand Guignol grandeur of 'Dream Demon' succeeds where all too many other low-budget Horror Films fail, being more imaginative, and forward-thinking, not merely utilizing talented actors Kathleen Wilhoite, and Jemma Redgrave as mere glamorous knife-fodder, but as spirited, 3-dimensional characters one can empathize with, their greatly imperilled, demon-infested journey of Diana & Jenny ( Kathleen Wilhoite) making for a deeper, more rewarding experience than e might initially expect. While 'Dream Demon' clearly gleans a smidgen of inspiration from 'Nightmare on Elm Street, and 'Bad Dreams' it has a searingly sinister singularity all of its own, in an increasingly monotonous era of enervating jump-scares, and tawdrily uninspired horror remakes, its majestically malign lustre shines ever brighter today!