'Five Women For The Killer' (1974) - Stelvio Massi.

The legendary Italian genre filmmaker Stelvio Massi takes a rare foray into the heady, be-gloved milieu of the schlocky Giallo with 'Five Women for The Killer' aka '5 Donne Per L'Assassino', and for my money it still makes for a diverting piece of compelling genre cinema, besides, it's somewhat curious seeing the urbane British character actor, Francis 'Dracula' Matthews in such luridly unfamiliar surroundings! The only other Giallo I am aware Massi shot was the Bruno Nicolai-scored, much-loved 'The Case of The Bloody Iris' starring the deliriously delightful, sinfully sultry, yet curiously monikered superstar Edwige Fenech. 

Maestro Massi is generally known for his exciting, uncommonly boisterous Euro-crime titles, but he is a versatile, more than capable director whose CV boasts some rather exemplary titles. It must also be noted that the sleazy premise to the unfairly neglected 'Five Women For The Killer' is pretty unsettling, as the initial murder remains a rather grim affair, reminded me a tad of the similarly stark Joe D'Amato effort, 'Absurd'. And the stolid, ubiquitous, but always likeable italian actor Howard Ross is fine as the beleaguered police commissioner, plus the requisite Giallo eye-candy is strikingly supplied by sleek, scintillating blond Katia 'Designated Victim' Christine! And along with Fernet-Branca posters and tall glistering glasses of J & B whiskey, no Giallo is close to being authentic without a bespoke sexy-sinister score, and talented composer Giorgio Gaslini certainly delivers the groovy goods!

 

 

 

 

   

'Das Phantom Von Soho' (1964)  - Franz Josef Gottlieb.

Franz Josef Gottlieb's singularly mean-spirited thriller 'Das Phantom Von Soho' is a supremely pacy, darkly atmospheric, and surprisingly grisly Krimi from the lurid pen of maestro Bryan Edgar Wallace. The blissfully burlesque jazz sounds of Martin Böttcher are utterly sublime and not only are the performances uniformly excellent, the brutal stabbings have a decidedly menacing, proto-Gialli feel. 'Das Phantom Von Soho' is an absolute must for rampant Krimi-headz, and while the overt campiness is considerably muted in this instance, thankfully, the remarkably grisly, sordid atmosphere isn't. This delightfully grungy little Edgar Wallace thriller is a real Bobby Dazzler, and one of the rare Krimi's that I would happily watch multiple times! And I most heartily approve of the hugely aesthetic lead actresses's spicy moniker: Barbara Rutting! "Oh, I say, missus!!!" (A most appropriate handle for one so uplifting!)

 

 

'Dominique' (1979) - Michael Anderson.

Michael Anderson's sporadically spooky 'Dominique' is a rather creaky, supernaturally slight British Gothic melodrama blessed with a quality cast that, quite frankly, readily outshines the rather prosaic text. All that being said, I actively remain an avid fan of doomy, generously smoke-slathered haunted house horror films, and the fitfully atmospheric 'Dominique' still proved to be a marginally entertaining affair; even though the formulaic plot is wholly derivative, and the twists prove to be somewhat more linear than the writer may have initially intended! The main faults reside in the hackneyed, uninspired writing, since the film-making is really first rate, with the exquisitely expressive lighting being quite exceptional, frequently reminding one of Mario Bava's sublimely sinister 'Kill, Baby Kill'. For those more forgiving Brit Horror completists seeking some late night supernatural horror hokum, you certainly could do a lot worse than the admittedly tame terror titbit 'Dominique'.  File under 'Tales of The Expected'.

 

 

 

'The Murder Secret' (1988) - Mario Bianchi.

This terrifically trashy, but frequently fun low budget B-Horror is riotously replete with maniacal aunts and all manner of spooky, crudely exploitative Italianate B-horror lunacy! Produced by esteemed horror icon Lucio Fulci, starring charismatic actor Gabriele Tinti, and directed with 'relative' competency by Euro-cult hero Mario 'Satan's Baby Doll' Bianchi. While Mario Bianchi's initially tepid creepshow 'The Murder Secret' takes a wee while to come to the B-Movie boil, but when it finally reaches body temperature it righteously rewards the more patient horror fan with a scurrilous selection of screw-headed set pieces!

The benign inclusion of a tantalizing shower scene luridly exposing the gratifyingly buxom assets of super-starlet Jessica Moore effectively increases the film's more aggressively voyeuristic content! 'The Murder Secret' is no less bemusing a proposition than many of the Fulci/Lenzi helmed horror films from the same era, and might be more essential to those obsessive B-Movie mavens compelled to watch every gonzo, blood-spattered Italian horror opus made in the 80s! Happily, there is just enough warped, schlocky shenanigans in 'The Murder Secret' to merit a single viewing, and the distractingly zesty electronic score by maestro Gianni Esposito certainly didn't go unnoticed! Perhaps it might be time for a comprehensive Bianchi Blu-ray horror box set? In addition, ardent Lucio Fulci fans might care to note that this was one of the six films that had its bloodier elements edited into his audaciously skewed splatter masterpiece 'A Cat in The Brain'.